In small town Pennsylvania, a directionless Asian-American teenager receives existential advice from an unexpected source.

In small town Pennsylvania, a directionless Asian-American teenager receives existential advice from an unexpected source.

Out of money and out of luck, Danny is determined to turn his life around, but the interventions of his anarchic mum and the reappearance of figures from his past threaten to derail him at every turn.

When Maggie gets an emotional support dog to help quell some of her anxiety, she finds him to be even more effective than she imagined... because unbeknownst to her, he kills anyone who adds stress to her life.

Good Boy is about a young man in a dead end job, who steals from his employer and hits the road for a new life. His journey to freedom is derailed by a mysterious, sadistic killer and his human pets.

After his mother's death, 17-year-old Sven moves in with his dad Achim, a taxi driver, who had divorced his mother several years earlier. It is not easy for Achim to get used to an adolescent around the house, especially since Sven hardly speaks to him. But Sven does well in school, and Achim hopes that time will bring them closer together. It is Achim's girlfriend Julia who first senses that something is wrong with Sven. Why, she wonders, does he always hang around with young boys? Why does not he have any friends his own age? She suspects that he is gay. The truth, however, is somewhat more nuanced - and chilling: Sven has pedophile tendencies. Proof is soon found on videos that shock and sicken Achim. Sven himself is shattered and regrets his actions. Julia suggests therapy, but Achim is convinced that he and Sven can handle this together. But he is wrong. Though Sven practically begs his father to lock him up in his room, Achim has confidence in his son.

A med school burnout returns to his small home town, but when he decides against telling his mother that he dropped out, complications ensue.

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Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M. Kopecký, J. Jirásková, J. Lír and others singing. In Chajda drnový, W. Matuška and K. Štědrý, K. Gott rides a horse or sails on a boat and R. Cortéz cries (off-screen) over the death of the famous robber Jesse James...